Kat Vandal is a French artist based in London. She categorises her art within the ‘Happy Art movement’.

More specifically, her art is a celebration of her childhood with a touch of pop and urban art inspired by the streets of London and the 80’s nostalgia.

She merges recycled toys, lights and vibrant colours with her signature doodles and lettering to invite others to rediscover the magic of childhood.

It started when she found herself emotionally unable to part with her kid’s outgrown clothes, toys and drawings, but instead, found joy in repurposing them into colourful works of art.

City Sirens: The Magic of Surrealism in the Streets of Berlin

Immerse yourself in a dimension beyond the ordinary!
The works of the Berlin based photographer Lorelay von Sinoh take the viewer into a world in which reality and dreams merge in a fascinating way. Using a masterful combination of photography, digital editing and a keen sense of the unknown, the photo artist creates surreal visual worlds that awaken emotions and spark the imagination.

The Gallery of Things is proud to present this exceptional artist - who primarily works with female and LGBTQIA+ models and focuses on female empowerment - and introduce her to a wider audience. Let yourself be enchanted by the magic of her photographic art in our current solo exhibition 'City Sirens' and discover works that open up new perspectives on reality.

Experience art that raises questions, tells stories and leaves a lasting impression. Welcome to the world of Lorelay of Sinoh!

Artist Daniela Luschin addresses in her work the idea that it is improper to say or write the word fuck or german "ficken" – even if one removes the "c." However, she emphasizes that it is just as improper to strip women – or people in general – of their dignity. In her paintings, Luschin focuses on the "fucked of life" / "gefickt vom Leben", the forgotten and the lost. She portrays some among the millions, even billions, of women throughout history. Her protagonists are women who never had even a glimmer of hope to realize their potential, marked by a misogynistic fate.

For Luschin, the history of women is, to a large extent, a history of the forgotten and the oppressed. In her series, she paints fictional women who were deprived of their opportunities and symbolically gives them something they should have been entitled to from birth: dignity. Her works stand as representatives for all those forgotten and downtrodden throughout history – the fuc_ed. / die gefi_kten.